生田沙织2.6

简直tm拍了一路mv文艺这东西我觉得是从动作和语言里表现出来的生田沙织不是靠镜头一个劲晃悠和拍点漂亮的东西出来就能搞定的

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

小笑怡情大笑伤身强笑灰飞烟灭柳岩一直不离不弃的留在这种脾气差没本事也不温暖的人身边生田沙织是因为爱吗别闹了自从送了手表之后他的表现可就都是不耐烦看点就是柳岩的这样不离不弃的不真实感

剪辑混乱剧情拉跨台词弱智人物性格没立起来就流水线式推剧情画风像是糊了一层塑料一样整体风格是严肃性基本没有娱乐性特别强行特别尬

重心不佳的观感生田沙织对于那场诉讼给出的日期好像就发生在二个月内的流水账