和搜子居同的日子2日本3.6

天台那一场戏是经典和搜子居同的日子2日本没有能超越的吧“对不起我是警察”打动了我幼小的心灵此生再难忘

影片向我们展示了电影史上最聪明的金库防盗措施把纸币全都换成硬币堆满整座建筑纵然是飞贼出马魔戒隐身也难免踩得叮当作响行踪暴露但防范再严密看守再恐怖也架不住俗套的威力火龙这厮为什么护宝失败套用贝多芬小姐启蒙中的最后一句台词：西蒙你知道你的问题是什么吗说的太多

反而是非主线的故事打动了我和搜子居同的日子2日本对于JC那一对可能我只是不太能理解没有来由的爱情

The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.

去除了原故事中的神话色彩剧情改动较大虽然有一些软肋但总体来说很喜欢配乐也不错（主题曲《哑巴新娘》非常棒）结尾以奥德赛的角度作的独白很有感觉“人的生命如冬麦般脆弱和搜子居同的日子2日本这些人的名字却将永垂不朽”